Archive for March, 2009

Die by the Pen: Readers, Not Fans

Every Wednesday, Jared Gniewek discusses what feeds his fires as an author of comics, screenplays and radio dramas.

orcs-nest

My esteemed co-contributor, Kevin Gillespie, filled in ably for me as I was stumbling about the back roads of England a few weeks back. And in his entry to the SAC blog, he wrote about something that I agree whole heartedly with. The use of the words “nerd” and “geek” bother him. I have to say that I’m in that camp (despite the title of my article last week) and would go even further in saying that the term “fan” is offensive to me as well.

With the release of this Watchmen movie last week, I am reminded of how the film companies want to make sure they make the “fans happy” while making their adaptations of comic stories. I hate this idea. It reeks of marketing nonsense. You see, I figure the average filmgoer (you know—the real money, not the paltry buying power that keeps pamphlet comics in print) is about a half a percent more likely to go see a movie if it has the “fans” endorsement. I’d rather see the endorsement of people who, y’know, study film and how it works and why. Screw the “fans” – make a good movie and let ‘em cry in their popcorn if Blue Devil’s trident is missing its crystal. They can then go home and read good comics. That used to be the response to crappy comic adaptations. They can never take away the comics experience from the reader.

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The Doctor is In: I Want to Be a Superhero

On alternating Tuesdays, Allan “Doc” Dorison operates on a specific part of popular culture.

by Allan Dorison

When I was a wee lad, of about five or six years old, I wanted to be a superhero. My parents used to take me to Quick Check and pick me up comic books. Every Friday night they used to plop me in front of the TV and we watched The Incredible Hulk with Bill Bixby and Lou Ferrigno. I loved that green guy — breaking s#!t up and saving people. If fact, I wrote my first letter to Mr. Rogers when the Hulk appeared on his show. A few weeks later, I received an autographed picture from Mr. Rogers and my hero, Lou Ferrigno. Later on that summer, I was at a Jamesway and ripped my shirt off pretending to be the Hulk.

As I got older, around seven or eight, my love for comics and becoming a hero progressed. My mom got a job working for the North Bergen Police Department as a violations clerk. It was awesome!!! I got to meet all these cops. It was a dream come true. It was like meeting real-life superheroes. They wore uniforms just like Batman and Spider-Man. They stopped bad guys just like the Hulk and they carried guns like… um, like guys who were bad a$$. This was a good thing and a bad thing. I used to stand in the middle of the street pretending to direct traffic. I got yelled at quite a bit by both of my parents. It was also pretty funny that I used to ask random people if they were crooks. Most of the time they would say “yes”.

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Media Madness: The Watchmaker (Redux)

Media Madness features reviews and rambles about comics, cartoons and their interactions in and with related media.

by Matt. Murray

It’s some point after Monday, March 9th, 2009.  12:00 PM. You are reading this post.

It’s Wednesday, February 25th, 2009.  2:29PM. I have just purchased my ticket for Watchmen: The IMAX Experience via Fandango. Most of the weekend’s screenings have already sold out and the first available show is on Sunday March 8th, 2009 at 2:00 PM.

imax-tik

It’s Wednesday, March 4th, 2009.  12:00PM. I am walking out of Best Buy, having just bought a copy of Warner Premiere’s Watchmen: The Complete Motion Comic.

It’s Monday, February 23rd, 2009. Wired publishes an interview with Watchmen writer Alan Moore in which he states:

If a thing works well in one medium, in the medium that it has been designed to work in, then the only possible point for wanting to realize it on “multiple platforms,” as they say these days, is to make a lot of money out of it. There is no consideration for the integrity of the work, which is rather the only thing as far as I’m concerned.

It’s Friday, March 6th, 2009.  4:00PM. I have just started to write this post.

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Mind in the Gutter: Ooh, ooh, I know! Watching the Watchmen!!!

On alternating Fridays, Leah Schnelbach waxes rhapsodic about comics, education, religion, film and postmodernity.

This week, a very interesting issue of The New Yorker hit the stands. It’s interesting first and foremost because of the excellent and heart-wrenching article on David Foster Wallace (my favorite writer) along with an excerpt from his last novel, which is being published posthumously. They also have one of the most frustrating movie reviews I’ve ever seen. The reason that I’m mentioning it on this site is that it’s a review of Watchmen.  Full disclosure – I haven’t seen Watchmen yet. [Ed.: Watchmen is released nationally today.] I’ll probably see it at some point next week, after the first throngs have strained and shuddered and spent themselves. So I’m not reviewing the review of the film, or disagreeing with it. Why bring it up, then, you may ask?  On reading this review, looking only for the writer’s opinion of the film, I found myself disturbed and eventually angered by the tone of distaste it shows, not for the film, but rather for comics culture as a whole.  Now, if the review simply expressed an opinion that the film wasn’t very good that would be fine  (Although, for the record, he seems to prefer The League of Extraordinary Gentlemen as a film to the adaptation of V for Vendetta, and while neither was great, there is a fucking yawning chasm between the two….)

My real problem is that the film, as a film, isn’t really reviewed.  The author discusses enjoying the opening credits, but from there contents himself in swipes at Alan Moore as a writer (even though he states early on that Moore had nothing to do with the film), itemizes the acts of violence in the film (as though containing scenes of violence disqualifies a film from also being interesting or at least dealing with interesting topics), and finally resorts to a creaky kids-these-days style rant against comics readers. At least, those comics readers who don’t mind if characters throw a cape over their shoulders now and then.

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Thursday TV Time: All the World’s Been Waiting for You

Lee French, the Sequential Art Collective’s resident self-admitted “fanboy” is taking a month off of rambling to collect his thoughts about life, the multi-verse and everything for future rants and raves. This week, Matt. Murray, executive editor of the SAC Blog and author of our regular Monday Media Madness feature fills in with a ramble about an animated coming out party for a certain princess of Paradise Island.

by Matt. Murray

Warning: May contain “spoilers” for the recently released Wonder Woman animated feature from Warner Premiere.

In this week’s Alphabet of the Arcane, Mr. M. described Wonder Woman as the booty “that launched a thousand issues” referring to her status as the go-to sex symbol for a certain comics publisher. For over 68 years, she’s been the pre-eminent female force in DC Comics, starring in numerous titles and presiding in their Pantheon as one of the company’s “Big Three” heroes (with Batman and Superman). However, until Tuesday March 3rd, 2009, she has never headlined her own animated venture – while Batman and Superman total no less than 40 individual cartoon projects between them.

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