Posts Tagged ‘ con

Hippasus Gurgles: LOGICOMIX Review

Michael Carlisle examines the world “outside” sequential art to find… more sequential art.

I had the distinct pleasure, during a random walk down the aisles of BookExpo America last May, of finding a preview copy of Logicomix: An Epic Search for Truth, which is due for release in the US on September 29, 2009.

logicomix

First, I’ll say that I am overjoyed that this book exists, as it shows that mathematical content can be relayed, and relayed well, in the comics medium. I am also rather frustrated by the existence of this book, as I did not write it myself.

If I was to sadly be scooped by someone on the comic I wanted to write about mathematicians, logic, infinity, madness, world wars, and self-reference, then I would hope it would be by Apostolos Doxiadis (whose Uncle Petros and Goldbach’s Conjecture I’ve read only a portion of but am awaiting the rest) and Christos Papadimitriou (whose Combinatorial Optimization text I used as an undergrad, and will use again when planning a course I’m teaching in the fall).

(Them, or maybe Neal Stephenson. But he’s already done a few things similar to this, in text, for cryptography, calculus, and religion.)

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Mind in the Gutter: Illiterature

On alternating Fridays, Leah Schnelbach waxes rhapsodic about comics, education, religion, and postmodernity. David Foster Wallace would be proud.

“Graphica in Education: Bringing Graphic Novels Out from Under the Desk,” a conference on the use of comics in education, was hosted by Fordham University on January 31st. It was a mixed bag, in a good way. It looks like the organizers were happy to let many different topics come to light, and didn’t worry too much about promoting any agenda other than the idea that comics work well with education. So, we got panels about the body in comics, the semiotics of gender, using comics as texts for varying grade levels (including a side note on their effectiveness in the education of autistic children) and a great presentation on the definition of graphic novel for a college-age audience.

The day was kicked off by the always-high-energy John Shableski, followed by morning keynoter James Bucky Carter, who told a very heartfelt account of the impact of comics on his poor childhood at the foot of the Appalachian Mountains. Not only did he literally learn to read from the X-Men and Spider-Man comics his mother bought for him, he also learned of a larger world beyond his town. The discrimination faced by the X-Men helped him see racism in his own community, and Nightcrawler’s spiritual struggles helped him work through his own discomfort with the Southern Baptist church he was raised in. He used these personal anecdotes as a platform to talk about his own work as a teacher, when he was assigned a class who had all failed an 8th grade-level reading comprehension test. His kids were all high-school-aged, but no one in the school really expected them to pass the test at the end of the year. So, drawing on his own past, Dr. Carter used comics to explore topics of diversity and cultural awareness, all while strengthening his students’ literacy and vocabulary. He used one particular issue of X-Men to guide the audience through the richness and depth that comics are capable of as a sort of teaching demo. Now, I’ve never been one to tear up at academic conferences (except perhaps out of despair), but, when he ended his speech by telling us that his kids scored nine points higher than the next-best class on that end-of-year literacy test… well, some like inspirational sports stories, some inspirational math stories, and some people like Michelle Pfeiffer, but anytime you show me Wolverine helping some poor kid dream of a better future, well, you’ve got me, bubbe.
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Ramblings of a Fanboy: CONned

On alternating Thursdays, Lee French looks at modern fandom through the lens of his own behavior and obsessions.

by Lee French

Comic conventions are a central part of my fanboy experience. I remember first reading all of the exciting announcements about artist appearances at the San Diego Comic Con in the pages of Wizard Magazine in the ’90s. Of course, I was a teenager then and I didn’t have the funds or the daring to fly to a city on the West Coast by myself. Now, I make it to at least two major cons a year and several smaller ones.

I attended my first San Diego Comic-Con in 2005. At the time, my older sister was living in Escondido, just north of San Diego, and rather than getting a hotel closer to the Convention Center, I saved some money by crashing on her couch. Then I spent some of that money on cab fare to get to and from the Con each of the four days—and, of course, swag.

SDCC floor crowds.

SDCC floor crowd

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Don’t Call Them NERDS

Die by the Pen will be taking a two week hiatus, while Jared Gniewek explores the English countryside in pursuit of the historical Watership Down. This week, Kevin Gillespie fills in with his thoughts about his first trip to a comic convention and his own place in fandom.

by Kevin Gillespie

Chewbacca sits at the end of the row – a wide brimmed leather hat obscures his wild eyes – as he signs an autograph for a cotton-mouthed, tongue-tied fan. From beyond the gang of breathless fanatics, an impostor Chewbacca roars announcing his arrival. He stomps his way through the line bellowing through an electronic voice changer, waving his arms over his head. The real Chewie looks up from his hastily scrawled autograph and smiles, belting out a weak but gleeful roar of his own. The fan looks on, his sweaty twenty-five dollars clutched tight in his fist, his mouth soundlessly mouthing words like the face of a dying fish.

chewbacca-crop

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Alphabet of the Arcane: The Letter C

On alternating Tuesdays, Justin Maudslien, aka Sub-Human’s Mr. M., explores weird and little known factoids and shares his skewed observations about the world of comics, cartoons and sequential art. (All images copyright their respective owners and creators.)

by Justin Maudslien

Be silent, mortals, for the great and powerful Mr. M speaks… and I speak of the “C” word.

Some say “C” is for cookie, but that is not good enough for me.  Today, “C” stands for con, as in comic convention.  New York Comic Con has just passed, and the traditional “Con Season” is quickly approaching, but just as it is always five o’clock somewhere: someone, somewhere is planning a con as I type and you read.

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