Posts Tagged ‘ Culture

Strip Search: Les bandes dessinnees

In Strip Search, Jennifer M. Babcock reviews and recommends comic strips available in print and on the web.

I’m such a jet setter this summer! Within a week of coming back from Egypt I was back on the plane to Paris, France- ooh la la.

Now, most of what I was doing in Paris was pure vacation fun time but I did some Egyptological research there as well, and of course… comic hunting. Many Americans don’t realize this but the French are quite fond of comics, or “BDs” (short for bande dessinee) as they call them. Go to the Virgin Megastore on the Champs Elysees and you’ll see an entire floor dedicated to them. Fnac, the French equivalent of a Barnes and Nobles, also carries a tremendous supply of comic book albums, and if you take a stroll through the Latin Quarter, you’ll find numerous shops dedicated to comics and cartoon paraphernalia. While I was in Paris, there was an arts magazine that dedicated its cover to R. Crumb and his latest comic Genesis and another one that came out with its annual “BD issue,” which was all about French comic artists.

The French are often seen as cultural snobs so it may surprise many readers to hear that even adults embrace comics as a genuine and legitimate form of art/literature making, but I think if we look at what Francophone countries have in their comics history, it becomes more understandable. Most famously, Belgium, churned out comic greats like Herge (Tintin) and Peyo (Les Schtroumpfs AKA The Smurfs). More recently Americans have come to know the work of the Iranian-French author Marjane Satrapi (Persepolis).

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Media Madness: Worst Performances Ever! (or Until Mandrake Comes Out)

In Media Madness, Matt. Murray reviews, revisits and rambles about comics, cartoons and their interactions in and with related media.

I read some disappointing news over at Dark Horizons last week — rumor has it that Hayden Christensen will be playing Mandrake the Magician in some Criss Angel style adaptation of the Lee Falk comic strip of the same name.  Ugh.

manhayd

While I’m not adverse to updating and playing with what is clearly a dated concept and character, I am frightened and saddened by choosing uber-douche Angel as the mold to recast the hero in (he evidently has a cameo as well) and then there’s casting Dork Vader himself to carry the production… In the words of Patton Oswalt doing his impression of Nick Nolte as Han Solo: Aw Hell, Chewbacca!

How the hell does this guy still get work? Has no one been to the movies in the past ten years? This kid buckled under the weight of the second Star Wars trilogy and was outperformed by the special effects and Billy Fu@%ing Elliot in Jumper. He can barely sustain the illusion of having an emotion on screen, how are we supposed to buy into the fact that he’s the world’s greatest illusionist and escape artist?

(In better news, Djimon “Give Us Us Free” Hounsou is in it too.  I’m assuming he’s playing Mandrake’s African sidekick Lothar as he’s absolutely perfect casting in that department.   So here’s hoping that maybe the producers and director aren’t complete shortbussers.)

djilothar

In honor of this disgusting piece of casting that will no doubt amount to a staggering disappointment, and the death of another potentially cool classic comic franchise (The Phantom and/or Spirit, anyone?), I’ve assembled a list of the 5 worst performances in movies adapted from comics in the past 10 years or so.

Disclaimer: Enjoy the list, but by no means don’t watch the films. Really. You shouldn’t. Not only are they horrible performances but these people will get paid in some way, shape or form if you pick up the disc or watch it via some other legal means. Don’t encourage crap kids, it only begets more!

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Die By the Pen: I May Have Discovered the Home of a Mythical Creature

In Die By the Pen, Jared Gniewek discusses what feeds his fires as an author of comics, screenplays and radio dramas.

croc

Well gang, I took a few weeks to explore my old home town of Rochester, New York.  Often overshadowed by the titans of Buffalo and Syracuse it resides between, Rochester has a charm all its own, which, if left unchecked could eclipse the whole of upstate. While here I have enjoyed reading men’s adventure novels of the eighties bought at Goodwill stores at rock bottom prices, enjoyed the highest quality of heavy metal, and have imbibed a few drinks.

I have not been writing as much as I should be. Not even close. I spastically shot out a thousand or so words on a short story I’ve been wrestling for months. I have been away from the internet. Away from video games. Away from my regular routine.

I have enjoyed the company of friends and have had a few conversations about comics. Maybe I’m sheltered but I always thought Rochester to be a culturally advanced city. For a city of its size the commitment the people of Rochester show towards the arts is immense. The Eastman House has created a generation of film buffs who can chat for days at the very highest level. The Eastman School of Music is an amazing resource and a highly regarded school for musicians. The Strong Museum of Play has a huge collection of toys and ephemera that would dwarf any man’s basement.

In this culture how can it be that people speak of their passion for sequential art in whispers?

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The Doctor is In: I Have Issues, but My Money’s on the Trade

In The Doctor is In, Allan “Doc” Dorison operates on a specific part of popular culture.

I recently walked into a comic book store in Brooklyn Heights and picked up the newest issue of Kick Ass.

The guy behind counter asked me: “Would you like a bag and board with that?”

“No I’m just going to roll it up, throw it in my back pocket and chuck it when I’m done,” I replied without thinking. The look on the clerk’s face was priceless.  I continued:  “It’s going to come out in trade paperback  in about six months  anyway.”

He gasped, then gave me a scowl and an unspoken “F&@% YOU!” as I walked out of the store.

As I strolled down the street with a rolled up comic in my pocket, I started to feel a little guilty. Only ten years ago, I would have torn someone’s head off if they treated a comic that way.  Not anymore, though.   Had I grown away from my obsessive fanboy tendencies?

Well, I still make weekly trips to the comic shop…  I read Wizard regularly… I sneak new “exclusive” and “limited edition” Mighty Muggs onto the shelves of my bookcases even though, as my fiancee reminds me, the tchotchke quota of our apartment has exceeded critical mass… So… Nope.  I’m still pretty nerdy.

As I dug deeper into my collector’s soul, I got down to the truth of the matter.  Basically, I feel the single issue is dead.

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