Archive for the ‘ CONned ’ Category

SDCC: SAC Photo Post

Members of the Sequential Art Collective (including executive boardsters Matt. Murray, Allan Dorison, Jennifer Babcock and key supporter David Wasserman) were pretty busy this past week networking, geeking out and just being general nuisances at the San Diego Comic Con.

sac group

Left to right: Matt. Murray, Jennifer Babcock, David Wasserman and Allan Dorison.

For those who aren’t friends of ours individually on facebook (where most of these pics were originally published), below are some highlights from our exploits.

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Strip Search: SDCC – Webcomics and Syndicates

In Strip Search, Jennifer M. Babcock reviews and recommends comic strips available in print and on the web.

As I’m sure everyone in the comics world knows, the San Diego Comic Con came to a close a couple of days ago. Despite the crazy Twilight fans that made panels almost impossible to attend, it was still a good time. In fact, I actually enjoy walking around the exhibitor’s hall more than sitting in panels the majority of the time- it gives me a chance to shop, people watch, and talk with my peers.

jen stitch

This year was no different. I wanted to get to know my fellow web comickers better and also speak to my syndicate, Universal Press Syndicate, about my comic — C’est la Vie and its future. Finding all the web comic artists was easy. Finding my syndicate was a bit of an adventure.

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Ramblings of a Fanboy: By the Time I Get to California…

In Ramblings of a Fanboy, regular contributors and guest writers alike take a look at modern fandom through the lens of their own behavior and obsessions.  This week, Matt. Murray, SAC’s Chairman and President, talks about the amp up to next week’s San Diego Comic Con.

So, this is my first year going to San Diego Comic Con.  The Big Dance.  The Nexus of the Entertainment World.  And yes, I must say that I’m rather excited.  My bank account, however, isn’t.   As of the publishing of this piece,  SDCC is less than a week a way, and by the time I get there I’ll probably be broke from all of the pre-orders and advance solicitations for merchandise that I get bombarded with from various exhibitors that I’ll be seeing out there at the “Nerd Prom.”

This past weekend dropped $31.00 pre-ordering, Comic-Con: 40 Years of Artists, Writers, Fans and Friends, the 40th Anniversary commemorative book that they’re hawking at the official Comic-Con International website.  I figured that I was going to pick it up at the show anyway, so I might as well save myself the additional $9 (+ CA sales tax!!!) that I would have to hand over at the show itself.

40th_ccibook

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Strip Search: This Time It’s Personal

Normally in Strip Search, Jennifer M. Babcock reviews and recommends comic strips available in print and on the web. This week she shares her own experiences as a woman cartoonist.

As you all probably know by now, I am a comics creator. I also happen to be a woman. Being a woman in the comics industry is a lonely, tough ride. There just aren’t that many of us out there and I often feel outside of what often seems to be a “boy’s club.”

Before you start accusing me of being “emo” or “PMSing,” let me explain…

Comic cons are always a problem for me- especially since I’m a heterosexual female who doesn’t cosplay. I often feel like I have to carefully select an outfit that will make me as gender ambiguous as possible. I usually opt for pants and a button down with a bangin’ tie- let’s also not forget my plastic rimmed glasses (I have to make it clear that I’m a nerd and am there on my own free will – not dragged by my boyfriend):

jen-con_

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Mind in the Gutter: Illiterature

On alternating Fridays, Leah Schnelbach waxes rhapsodic about comics, education, religion, and postmodernity. David Foster Wallace would be proud.

“Graphica in Education: Bringing Graphic Novels Out from Under the Desk,” a conference on the use of comics in education, was hosted by Fordham University on January 31st. It was a mixed bag, in a good way. It looks like the organizers were happy to let many different topics come to light, and didn’t worry too much about promoting any agenda other than the idea that comics work well with education. So, we got panels about the body in comics, the semiotics of gender, using comics as texts for varying grade levels (including a side note on their effectiveness in the education of autistic children) and a great presentation on the definition of graphic novel for a college-age audience.

The day was kicked off by the always-high-energy John Shableski, followed by morning keynoter James Bucky Carter, who told a very heartfelt account of the impact of comics on his poor childhood at the foot of the Appalachian Mountains. Not only did he literally learn to read from the X-Men and Spider-Man comics his mother bought for him, he also learned of a larger world beyond his town. The discrimination faced by the X-Men helped him see racism in his own community, and Nightcrawler’s spiritual struggles helped him work through his own discomfort with the Southern Baptist church he was raised in. He used these personal anecdotes as a platform to talk about his own work as a teacher, when he was assigned a class who had all failed an 8th grade-level reading comprehension test. His kids were all high-school-aged, but no one in the school really expected them to pass the test at the end of the year. So, drawing on his own past, Dr. Carter used comics to explore topics of diversity and cultural awareness, all while strengthening his students’ literacy and vocabulary. He used one particular issue of X-Men to guide the audience through the richness and depth that comics are capable of as a sort of teaching demo. Now, I’ve never been one to tear up at academic conferences (except perhaps out of despair), but, when he ended his speech by telling us that his kids scored nine points higher than the next-best class on that end-of-year literacy test… well, some like inspirational sports stories, some inspirational math stories, and some people like Michelle Pfeiffer, but anytime you show me Wolverine helping some poor kid dream of a better future, well, you’ve got me, bubbe.
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