Click, Click, Click #1: Thanksgiving Specials: Feed Us Until Christmas

Mr. C has decided to grace us with 30 festive frames per second of animated (and puppetized) Christmas cheer.

The American cultural-commercial force known as “Christmastime” now begins its mobilization on November 1. One can’t even wipe the grease paint from one’s face the morning after Halloween revelry without being blindsided by large containers full of cheap decorative holiday trinkets, either at a grocery or convenience store, or personal storage [argh].

Wasn’t there a holiday in between the darkness and the lights? Something more American-oriented than demons and barn-staged virgin births?

Oh, right, the thing with the dead turkeys.

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Up in the Studio, Click, Click, Click

We’ve all been quite busy lately. Mr. Murray is working studiously in sunny Pennsylvania; Mr. Dorison recently got married and has his own (NSFW) comic; Mr. M resides far away from us in the precipituousness of Seattle, with a comic of his own; Ms. Babcock and I are both wrestling with the demons of not-too-far-off Ph.D.dom (and she her comic as well); Ms. Schnelbach is furious on her own work, novel, and future plans; and Mr. Gniewek is telling tall tales in other locales at the moment, as well as gearing up for a big move of his own.

Regardless, I feel the need to poke my head around here once more, albeit in a different capacity. Inspired by the illustrious Raina Telgemeier, of Smile, X-Men: Misfits, Comics Bakery, and All-Around Awesome Person, I’ve decided to revive the stagnant SAC Blog to prime myself for the joys of the fantabulous funitude of the “holiday” season. The Telgemeister1 mentioned on some-or-another social networking site that she is the proud owner of many, many animated Christmas specials. As I do not believe I’ll be viewing many specials this year (due mainly to a drastic uptick in the ratio of work needed to finish my dissertation vs. time left to do so) I feel the need to at least talk about them.2

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Die By the Pen: Empathy Part 3 Might Just Save the World

In Die By the Pen, Jared Gniewek discusses what feeds his fires as an author of comics,  fiction and radio dramas.

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This week should bring my musings to a close on the subject of empathy. I’m sure I’ll return to it at a later date as my conviction remains that it is our brightest blade as writers and as human beings. An elderly bong smoker in the Haight once said to me that she believed the greatest enemy to the modern world was the lack of imagination folks have nowadays. The use of our imaginations enables us as writers to go into perspectives we can’t accept and gives us a basis for attempting to understand the motives of those we disagree with. It is the basis for empathy.

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Strip Search: The Perfect Storm

In Strip Search, Jennifer M. Babcock reviews and recommends comic strips available in print and on the web.

Although this topic has been covered by many before, I would like to give my personal opinion about the dont’s and no no’s in making a web comic. More importantly, I want to share my ideas about what makes a bad webcomic (because we all know that there are tons out there on the interweb). You can take this in however you want: for your amusement or for your own edification. You, of course, can choose to disregard what I say since I’m just another random person spouting my ideas from my digital soap box but as a relatively successful creator and as someone who prides herself as knowing a thing or two about webcomics, I hope you take the time to carefully consider the points I will make.

Before I get into it though, I just want to mention that my presence on this blog will be spotty from now until January. Currently I’m studying for my PhD oral examination, which requires studying six days a week for 6-10 hours a day. I’ll try to contribute when I can but I’ll most likely need my free time to rest and draw my own comic, C’est la Vie.

Anyway, here’s a basic rundown of what I think makes a crappy webcomic and also how to prevent yourself from making one:

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“Monsters of Webcomics” at The Cartoon Art Museum

The Cartoon Art Museum in San Francisco is having an exhibition called “Monsters of Webcomics” from August 8- December 6, 2009. This exhibit interests me not only as a creator whose work is going to be featured in the Virtual Gallery (woo!) but also as a scholar, especially since I’m the one who curated the first webcomics exhibit, “Infinite Canvas: The Art of Webcomics,” at the Museum of Comic and Cartoon Art (MoCCA) in New York City in 2007.

Here’s a picture from MoCCA’s gallery opening:
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Left to Right: Bill Roundy, Scott McCloud, Matt Murray, Jennifer Babcock: We’re standing in front of a 40 foot long print out of one of Scott McCloud’s “infinite canvas” comics

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