Strip Search: Cathy

On alternating Thursdays, Jennifer M. Babcock reviews and recommends comic strips available in print and on the web.

by Jennifer M. Babcock

I have a confession to make. I get Cathy e-mailed to me every day.

I don’t subscribe to Cathy because I feel like it is relevant to my life or because I necessarily enjoy it. No, I’m a regular reader because ever since Cathy and Irving got engaged on Valentine’s Day, 2004, I’ve been curious if the strip’s character dynamics were going to change accordingly. After all, one of the founding concepts behind Cathy for over 25 years was the protagonist’s “singledom” and struggles as a working woman who can’t lay off the potato chips.

When the strip first appeared in 1976, women’s rights were being newly asserted at work and in relationships; Cathy’s character was supposed to reflect that generation’s working, single, independent women along with their fears, uncertainties, and challenges. The concept was quite novel for the time – how many mainstream newspaper comics in the 1970s addressed women’s rights or even had a single, working woman as the main, and in this case, title character?
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Jaded: An All True, Somewhat Sarcastic, Tale of Television Heroism

Die by the Pen, and its author Jared Gniewek, will return to their regular slot next Wednesday. This week, Jade Jordan, former reality television superhero takes an intentionally (for the most part) humorous look back at his day(s) in the limelight.

by Jade Jordan

Hello, I’m Jade Jordan, you may remember me as TV’s Darren Passarello …

nitro-g-normal

From the first season of Who Wants to Be a Superhero?

Nothing? Come on…

Nitro G? 

nitro-thumbs

Right…

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The Doctor Is In: Bring on the Bad Guys

On alternating Tuesdays, Allan “Doc” Dorison operates on a specific part of popular culture.

by Allan Dorison

Webster’s has four definitions for the word villain.

Definition 1: an uncouth person. Definition 2: a deliberate scoundrel or criminal. Definition 3: a character in a story or play who opposes the hero. Definition 4: one blamed for a particular evil or difficulty.

For this instance I’m going to focus on definition 3… with which I disagree.   I think, in the best cases at least, it’s the hero who opposes the villain. That’s what drives the plot.

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Monday Media Madness: The Eisner… err… Oscar Goes to…

Every Monday, Matt. Murray reviews, revisits and rambles about comics, cartoons and their interactions in and with related media.

by Matt. Murray

At this year’s Academy Awards, Heath Ledger made a certain kind of cinematic history by becoming the first actor to win an Oscar for a role originated in the pages of a comic book. As a nominee, he followed in the footsteps of acting greats Al Pacino and Paul Newman, who were likewise recognized in the Best Supporting Actor category for their respective turns as funny book villains in Dick Tracy and Road to Perdition. (Note: William Hurt was the only other actor ever nominated for a comic book movie, again for Best Supporting Actor as a villain, in 2005’s A History of Violence. However, his character was completely a construct of the film’s creative team, and didn’t actually appear in the graphic novel.)

Ledger Joker

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Mind in the Gutter: Illiterature

On alternating Fridays, Leah Schnelbach waxes rhapsodic about comics, education, religion, and postmodernity. David Foster Wallace would be proud.

“Graphica in Education: Bringing Graphic Novels Out from Under the Desk,” a conference on the use of comics in education, was hosted by Fordham University on January 31st. It was a mixed bag, in a good way. It looks like the organizers were happy to let many different topics come to light, and didn’t worry too much about promoting any agenda other than the idea that comics work well with education. So, we got panels about the body in comics, the semiotics of gender, using comics as texts for varying grade levels (including a side note on their effectiveness in the education of autistic children) and a great presentation on the definition of graphic novel for a college-age audience.

The day was kicked off by the always-high-energy John Shableski, followed by morning keynoter James Bucky Carter, who told a very heartfelt account of the impact of comics on his poor childhood at the foot of the Appalachian Mountains. Not only did he literally learn to read from the X-Men and Spider-Man comics his mother bought for him, he also learned of a larger world beyond his town. The discrimination faced by the X-Men helped him see racism in his own community, and Nightcrawler’s spiritual struggles helped him work through his own discomfort with the Southern Baptist church he was raised in. He used these personal anecdotes as a platform to talk about his own work as a teacher, when he was assigned a class who had all failed an 8th grade-level reading comprehension test. His kids were all high-school-aged, but no one in the school really expected them to pass the test at the end of the year. So, drawing on his own past, Dr. Carter used comics to explore topics of diversity and cultural awareness, all while strengthening his students’ literacy and vocabulary. He used one particular issue of X-Men to guide the audience through the richness and depth that comics are capable of as a sort of teaching demo. Now, I’ve never been one to tear up at academic conferences (except perhaps out of despair), but, when he ended his speech by telling us that his kids scored nine points higher than the next-best class on that end-of-year literacy test… well, some like inspirational sports stories, some inspirational math stories, and some people like Michelle Pfeiffer, but anytime you show me Wolverine helping some poor kid dream of a better future, well, you’ve got me, bubbe.
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